After careful consideration, and indeed talking to some prominent members of the art and legal communities, we have come to the conclusion that in matters of this standing or other news shared on The Sole Adventurer, we are only reporting on the facts that are going on in the art world. It is not TSA’s role to mediate in a controversy that may arise from this news. Comments on any article we publish are of course allowed on our site and on our social media platforms at any time. In fact TSA encourages any discussion that takes the Nigerian and African art worlds further. However, everybody is responsible for his and her own actions and behaviour. Our integrity as a media outlet is of the utmost importance to us, and as such we will refuse any request to remove news shared on the site, unless when it is inaccurate. With regard to the post below, the information here is accurate as with last verification. As such we have decided not to remove it from the public’s view. All parties involved should engage in whatever way they choose without interfering in our set standard of practice.
You be the judge of what is happening here.
Is it inspiration? Is this an example of copying?
Which is original? Which is the copied work?
Ugo Ananaba, Crystal Eyes, 2003
Last shown at an exhibition titled “Lines and Reason” at Quintessence in 2005.
Joe Amenechi, Peeping Boy, 2013.
Last shown at an exhibition titled “Pieces of Me” at Rele Gallery in 2015.