Re-imaging Futures: A Trans-Nigerian Conversation | By adeoluwa oluwajoba
Re-imaging Futures: A Trans-Nigerian Conversation exhibition organised by Innocent Ekejiuba and Yinka Elujoba of Invisible…
History
Is the Museum of Black Civilisations a Place for Today or the 1960s? | By Mamadou Diallo
Exhibition at the Museum of Black Civilisations, Dakar. (Photo courtesy of Maya Varichon) The Museum of…
“We Are Yet To Be heard.” Eric Gyamfi’s Portraits Of Ghanaian Female Chiefs | By Kwabena Yeboah
Yani Kpatu-Naa Naama Andani. Photographer - Eric Gyamfi Eric Gyamfi’s monochrome photos of female chiefs…
Jamestown Beyond Chale Wote – Some Things Never Change | By TsaTsu Kofi Amable
Jamestown, Accra (2018) | Photo courtesy of IfeOluwa Nihinlola It’s approaching noon, a day after…
‘Ankara’ – We Are Dressed Up In Conflict, Appropriation, Colonial Legacy | By Ayodeji Rotinwa
Yinka Shonibare, Scramble for Africa, 2003, 14 life-size fibreglass mannequins, 14 chairs, table, Dutch wax…
From 1965, “Man Loves What Is Sweet and Obvious” by Colette Omogbai
In art, man loves what is sweet and sentimental. He cannot understand that art is…
On Black Culture Renaissance: Recalling Enwonwu, Senghor, Obasanjo From FESTAC ’77
“We march towards renaissance,” the ever-eloquent Ben Enwonwu wrote in his essay An African View…