Peju Layiwola’s Unrelenting Work of Interrogating Our Collective History | By Adekemi Kudehinbu
Drawing inspiration from her dual heritage, Peju Layiwola interrogates our collective social, political and cultural…
Profiles
The Formidable Koyo Kouoh and the Redemption of the Zeitz MOCAA | By Mamadou Diallo
A glimpse into the world of prolific curator Koyo Kouoh, the new executive director of…
In Anticipation of the Opening of the Yemisi Shyllon Museum of Art | By Roli Afinotan
More than four years in the making, the Yemisi Shyllon Museum of Art at Pan-Atlantic…
Art Is A Country: Visiting Galleries In Nairobi | IfeOluwa Nihinlola
Red Hill Gallery of Contemporary African Art. Courtesy of IfeOluwa Nihinlola On the three separate…
Ngozi Omeje: Exploring The Strength Of Clay | By Roli Afinotan
Ngozi Omeje, "In My Garden, There Are Many Colours", 2016. Via africanah.org For many Lagos…
Ayo Akinwande’s Power Shows on Nigerian Politics Need a Permanent Home | By IfeOluwa Nihinlola
Ayo Akinwande | Photo credit: IfeOluwa Nihinlola In looks, Ayo Akinwande fits a certain image…
Peju Alatise on the broken women on ‘High Horses’
‘They put them on High Horses and they stayed there. “Don’t whistle, don’t sing! Do…