Abraham Oghobase Excavates Layers of Beauty and Pain in Jos | By IfeOluwa Nihinlola
The violent eruptions that accompany earth’s volcanic activities sometimes lead to fatal results when humans…
Essays
Is ART X Lagos the Frieze of West Africa? | By Ayodeji Rotinwa
Stevenson Gallery booth, ART X Lagos 2018 | Courtesy of Stevenson gallery When the ART…
ART X Lagos: An Affair in Constant Search of the Exciting | By IfeOluwa Nihinlola
ART X Lagos 2018 | Photo copyright The Sole Adventurer (TSA) It was apt that…
Ayo Akinwande’s Power Shows on Nigerian Politics Need a Permanent Home | By IfeOluwa Nihinlola
Ayo Akinwande | Photo credit: IfeOluwa Nihinlola In looks, Ayo Akinwande fits a certain image…
Jamestown Beyond Chale Wote – Some Things Never Change | By TsaTsu Kofi Amable
Jamestown, Accra (2018) | Photo courtesy of IfeOluwa Nihinlola It’s approaching noon, a day after…
‘Ankara’ – We Are Dressed Up In Conflict, Appropriation, Colonial Legacy | By Ayodeji Rotinwa
Yinka Shonibare, Scramble for Africa, 2003, 14 life-size fibreglass mannequins, 14 chairs, table, Dutch wax…
Confronting an Unaddressed Nigerian Reality in the Exhibition ‘Salvage Therapy’ | By Ayò Akínwándé
In an obituary on Ulli Beier who co-founded the Mbari Club in 1961 with the…
Four Women: Resisting Prejudice and Inequality | By Bukola Oyebode
If we were to live in a world without labels, would we become more tolerant…
Learning from Publishing Against the Grain | By Roli Afinotan
Sean O’ Toole, South African writer and critic, described Publishing Against the Grain as a…
‘Gbam!’ What Does It Mean to be New and Radical? | By IfeOluwa Nihinlola
The exclamation ‘Gbam!’ is often uttered by an impressed audience. Perhaps A White Space Creative…