Finding the Beautiful: A Review of Galle Winston Kofi Dawson Retrospective at SCCA in Tamale | By Kwabena Yeboah
For its opening exhibition, the new art space, Savannah Centre for Contemporary Art (SCCA) in…
Essays
The Formidable Koyo Kouoh and the Redemption of the Zeitz MOCAA | By Mamadou Diallo
A glimpse into the world of prolific curator Koyo Kouoh, the new executive director of…
In Anticipation of the Opening of the Yemisi Shyllon Museum of Art | By Roli Afinotan
More than four years in the making, the Yemisi Shyllon Museum of Art at Pan-Atlantic…
Can Blackness Exist Autonomously? | By Kojo Abudu
Examining opacity in the works of Toyin Ojih Odutola and Lynette Yiadom-Boakye. Toyin Ojih Odutola,…
Re-imaging Futures: A Trans-Nigerian Conversation | By adeoluwa oluwajoba
Re-imaging Futures: A Trans-Nigerian Conversation exhibition organised by Innocent Ekejiuba and Yinka Elujoba of Invisible…
Mirroring Modes of Being in Syowia Kyambi’s ‘Double Consciousness’ | By IfeOluwa Nihinlola
Syowia Kyambi, Double Consciousness (performance and installation), Alliance Francaise, Nairobi. Photo courtesy of IfeOluwa Nihinlola…
Is the Museum of Black Civilisations a Place for Today or the 1960s? | By Mamadou Diallo
Exhibition at the Museum of Black Civilisations, Dakar. (Photo courtesy of Maya Varichon) The Museum of…
Art Is A Country: Visiting Galleries In Nairobi | IfeOluwa Nihinlola
Red Hill Gallery of Contemporary African Art. Courtesy of IfeOluwa Nihinlola On the three separate…
2018 in Review: 10 Remarkable Artists, People, Exhibitions, Places, Things | By Ayodeji Rotinwa
Peju Alatise, Deep Sleep, 2017 (Wood, metal, stone casts and acrylic paint). Image source: Paradox,…
Ngozi Omeje: Exploring The Strength Of Clay | By Roli Afinotan
Ngozi Omeje, "In My Garden, There Are Many Colours", 2016. Via africanah.org For many Lagos…