Peju Layiwola’s Unrelenting Work of Interrogating Our Collective History | By Adekemi Kudehinbu
Drawing inspiration from her dual heritage, Peju Layiwola interrogates our collective social, political and cultural…
Essays
Simone Leigh’s Loophole of Retreat: Everything Linda Longed For | By Imani Noelle Ford
Framing new possibilities and autonomy for the Black female body, Simone Leigh excavates the narrative…
Finding the Beautiful: A Review of Galle Winston Kofi Dawson Retrospective at SCCA in Tamale | By Kwabena Yeboah
For its opening exhibition, the new art space, Savannah Centre for Contemporary Art (SCCA) in…
The Formidable Koyo Kouoh and the Redemption of the Zeitz MOCAA | By Mamadou Diallo
A glimpse into the world of prolific curator Koyo Kouoh, the new executive director of…
In Anticipation of the Opening of the Yemisi Shyllon Museum of Art | By Roli Afinotan
More than four years in the making, the Yemisi Shyllon Museum of Art at Pan-Atlantic…
Can Blackness Exist Autonomously? | By Kojo Abudu
Examining opacity in the works of Toyin Ojih Odutola and Lynette Yiadom-Boakye. Toyin Ojih Odutola,…
Re-imaging Futures: A Trans-Nigerian Conversation | By adeoluwa oluwajoba
Re-imaging Futures: A Trans-Nigerian Conversation exhibition organised by Innocent Ekejiuba and Yinka Elujoba of Invisible…
Mirroring Modes of Being in Syowia Kyambi’s ‘Double Consciousness’ | By IfeOluwa Nihinlola
Syowia Kyambi, Double Consciousness (performance and installation), Alliance Francaise, Nairobi. Photo courtesy of IfeOluwa Nihinlola…
Is the Museum of Black Civilisations a Place for Today or the 1960s? | By Mamadou Diallo
Exhibition at the Museum of Black Civilisations, Dakar. (Photo courtesy of Maya Varichon) The Museum of…
Art Is A Country: Visiting Galleries In Nairobi | IfeOluwa Nihinlola
Red Hill Gallery of Contemporary African Art. Courtesy of IfeOluwa Nihinlola On the three separate…