Ayo Akinwande’s “Power Show”: A Defiant Playfulness on Power in Nigeria | By Dele Meiji
The “Power Show” – Ayo Akinwande’s solo show at Omenka Gallery takes Nigeria’s tortured relationship…
Essays
From 1965, “Man Loves What Is Sweet and Obvious” by Colette Omogbai
In art, man loves what is sweet and sentimental. He cannot understand that art is…
Highlights from the 2018 Arthouse Contemporary Affordable Auction | By Roli Afinotan
On the evening of March 3rd, new and experienced collectors filled the Kia showroom, Victoria…
On Black Culture Renaissance: Recalling Enwonwu, Senghor, Obasanjo From FESTAC ’77
“We march towards renaissance,” the ever-eloquent Ben Enwonwu wrote in his essay An African View…