Ngozi Omeje: Exploring The Strength Of Clay | By Roli Afinotan
Ngozi Omeje, "In My Garden, There Are Many Colours", 2016. Via africanah.org For many Lagos…
Essays
“We Are Yet To Be heard.” Eric Gyamfi’s Portraits Of Ghanaian Female Chiefs | By Kwabena Yeboah
Yani Kpatu-Naa Naama Andani. Photographer - Eric Gyamfi Eric Gyamfi’s monochrome photos of female chiefs…
Abraham Oghobase Excavates Layers of Beauty and Pain in Jos | By IfeOluwa Nihinlola
The violent eruptions that accompany earth’s volcanic activities sometimes lead to fatal results when humans…
Is ART X Lagos the Frieze of West Africa? | By Ayodeji Rotinwa
Stevenson Gallery booth, ART X Lagos 2018 | Courtesy of Stevenson gallery When the ART…
ART X Lagos: An Affair in Constant Search of the Exciting | By IfeOluwa Nihinlola
ART X Lagos 2018 | Photo copyright The Sole Adventurer (TSA) It was apt that…
Ayo Akinwande’s Power Shows on Nigerian Politics Need a Permanent Home | By IfeOluwa Nihinlola
Ayo Akinwande | Photo credit: IfeOluwa Nihinlola In looks, Ayo Akinwande fits a certain image…
Jamestown Beyond Chale Wote – Some Things Never Change | By TsaTsu Kofi Amable
Jamestown, Accra (2018) | Photo courtesy of IfeOluwa Nihinlola It’s approaching noon, a day after…
‘Ankara’ – We Are Dressed Up In Conflict, Appropriation, Colonial Legacy | By Ayodeji Rotinwa
Yinka Shonibare, Scramble for Africa, 2003, 14 life-size fibreglass mannequins, 14 chairs, table, Dutch wax…
Confronting an Unaddressed Nigerian Reality in the Exhibition ‘Salvage Therapy’ | By Ayò Akínwándé
In an obituary on Ulli Beier who co-founded the Mbari Club in 1961 with the…
Four Women: Resisting Prejudice and Inequality | By Bukola Oyebode
If we were to live in a world without labels, would we become more tolerant…