On November 19, TSA Art Magazine formally presented the Collector's Series: Artists & Cities publication…
Reviews
On November 19, TSA Art Magazine formally presented the Collector's Series: Artists & Cities publication…
Farah Khelil proposes ecology and archive digging as possible means of decolonization in her practice…
To air one’s dirty laundry in public is to be without shame, to not concern…
The Invincible Hands exhibition at the Yemisi Shyllon Museum of Art, Pan-Atlantic University, Lagos, has…
They are everywhere. Clippers, scissors, shears, scalpels, cut-throat razors, knives, boning knives, meat cleavers and…
Jude Anogwih’s solo exhibition When A Door Opens, Windows Do Too. No. 2 (2021) is…
How do we process images rooted simultaneously in the fantastical and the mundane? A scene…
On the relationship between fiction and documentary film, the film critic Bill Nichols writes, "If…
Nengi Omuku skilfully captures the precarious atmosphere of 2020 in a vintage textile from Nigeria.…