OFF: A look at Selected Exhibitions Around Dak’Art | By Khadidiatou Cissé
Representing a desire for emancipation, freedom and responsibility, L’Heure Rouge, the theme of the 2018…
Beyond Functions II: A Shift to Socio-Political Issues with Ceramics | By Mathew B. Oyedele
On June 9, Ato Arinze and Djakou Kassi Nathalie opened their joint exhibition at the…
Ayo Akinwande’s “Power Show”: A Defiant Playfulness on Power in Nigeria | By Dele Meiji
The “Power Show” – Ayo Akinwande’s solo show at Omenka Gallery takes Nigeria’s tortured relationship…
An Interview with Kehinde Awofeso: What Does it Mean to be Gender Non-Conforming in Nigeria? | By Bukola Oyebode
Recently featured in the exhibition Four Women at Revolving Art Incubator in Lagos, Kehinde Awofeso…
African Photojournalism Database
Launched in 2016, the African Photojournalism Database is a joint initiative of the World Press…
Africa’s Out! and Smack Mellon Present “Carry Over: New Voices from the Global African Diaspora”
On June 2 2018, a group exhibition curated by Kalia Brooks Nelson titled “Carry Over:…
Arthouse 20th Modern and Contemporary Art Auction: Udechukwu, Fakeye, Barber, Douglas Camp Featured
Over the last decade, Arthouse Contemporary has set auction records of artists such as Ben…
Grant Opportunity for Emerging Artists – Art X Prize with Access 2018
ART X Lagos in collaboration with Access Bank has announced the 2018 edition of the…
“There are Even Moonbeams We Can Unfold” Ruby Onyinyechi Amanze at Goodman Gallery
"There are Even Moonbeams We Can Unfold” is a solo exhibition of recent works by…
Dak’Art 2018: A New Humanity and Other Exhibitions in Photos
With the overarching theme of "The Red Hour", Dak'Art 2018 opened to the public on May…
Olumide Onadipe “Connecting the Dots” at Temple Muse
Curated by SMO Contemporary Art, “Connecting the Dots” is a solo exhibition presenting over forty…
Laeila Adjovi, Olanrewaju Tejuoso, Wins Top Prizes at the 13th Dak’Art Biennale
On May 3, 2018, at the official opening ceremony of the 13th Dak’Art Biennale, Beninese…
Things to do at the 2018 Dak’Art Biennale
The African contemporary art scene is bustling with excitement as the Biennale of Contemporary African…
Inside TSA Special Journal for Dak’Art 2018: “The Past in the Present”
For the 13th Biennale of Contemporary African Art, Dak’Art, TSA Art Magazine presents a special…
From 1965, “Man Loves What Is Sweet and Obvious” by Colette Omogbai
In art, man loves what is sweet and sentimental. He cannot understand that art is…
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Recently featured in the exhibition Four Women at Revolving Art…
